
The
scene of the father being pushed off the cliff   makes use of an
obvious dummy.
Related Reviews:
Naked Flame
Mountie Films
SEARCH

Back to God's Country
1919,
Starring Nell Shipman, Charles Arling, Wheeler Oakman, Peter Burke and
Wellington A. Playter. Directed by Ernest Shipman.
Some films I have reviewed on this site are quite obviously
B-movies,
while others are slightly more controversial choices to include under
the banner of Canuxploitation. Back to God's Country
is such a movie. While critically applauded, this early silent movie
also had significant impact on the seedier side of Canadian film.
Although a recognizable feature film industry in Canada was
relatively
unformed until the 1960s, there were several silent features made in
Canada after the turn of the century. Many are lost forever, but a
print of Back to God's Country was
recently found in Europe, restored and re-released. Probably the
earliest Canadian movie anyone today will ever see, this popular film
was re-made twice by Hollywood. Canadian critics were excited by the
discovery of a lost cultural treasure, and much praise has been heaped
upon Nell Shipman, the star of the film. Hailed as a true renaissance
woman, Nell wrote a couple of books and went on to star in several
silent pictures at a time when women weren't commonly seen in
films. Those are not reasons that this melodramatic potboiler grossed
three times it's original cost.
Back to God's Country is all about lurid
promises of nudity. That's right, this "cultural treasure"
set a Canadian box office record by briefly showing Nell (apparently)
naked in one scene. Of course Nell does an excellent job of covering
herself (and was supposedly wearing some kind of bathing suit anyway),
but that makes this film a classical exploitation film: it deals with a
taboo, and it was made outside of Hollywood. Although forbidden
subjects such as nudity, drugs, and venereal disease were banned under
self-imposed regulations in Hollywood film, this niche was quickly
filled by the exploitation film directors who showed the objectionable
scenes and then justified them with a "square up." This was a scene at
the end of a film which either condemned the behaviour depicted or
claimed the film makers were only acting in the interest of educating
their audience.
Nudity in film was not as rare as you might think in the
movie houses
of 1919, but it was definitely not common. Note the original
advertising at right which achieves a double purpose--to
reassure theatre owners that the nudity presented in Back to
God's Country is tasteful, while also exploiting
audience expectations of illicit flesh.
The long, winding plot of Back to God's Country
begins when an explorer named Peter Burke happens upon a man and his
daughter living in a small hut in the woods of Northern Canada. Peter
arranges for a few days lodging, but soon falls in love with Dolores,
the man's daughter. Dolores truly loves nature and frolics
with the animals all day, including a porcupine in her bed and Cubby,
her pet bear(!). It isn't long before the two announce their
marriage, to take place just after Peter returns from a trip to Ottawa.
Or so he thinks.
Nearby, the evil, murderous Snidely Whiplash is camping. Okay,
his name
is actually Rydal and he doesn't have the pencil-thin curly
mustache, but he may as well have. Rydal's partner is only
referred to in this film as a "half breed." When the pair are
approached by a Mountie, the unassuming lawman is shot down by
Rydal's partner. Realizing that it may help him escape the
law a little longer, Rydal puts on the dead Mountie's
uniform. They soon happen upon Dolores, about to take a refreshing
skinny dip at a lake near her house. She is just about to drop her
towel when she sees Rydal through the trees, and quickly jumps in the
water and swims away, resulting in the infamous nude scene as she hides
behind a waterfall.
Rydal is scared away from his lusty pursuits by a bear, and runs
away
until he finds Dolores' father's cabin. Pretending
to be a hurt Mountie, he gains her father's trust. When
Dolores returns, Rydal attempts to rape Dolores and the "half
breed" is killed as her father tries to stop it. On seeing
his dead partner, "Mountie" Rydal arrests
Dolores' father, and pushes him off a cliff to his death in
the water below. Dolores jumps in
after him, and Rydal curses his luck when Peter arrives on the scene to
save her.
One year after these terrible events, Dolores and Peter live in a
beautiful house in Montreal. Peter gets a telegram inviting them to
Halifax to take a boat trip, and they decide to go. Since Dolores is
forever dreaming of Canada's beautiful countryside, they make
plans to return to her old cabin afterwards. Unfortunately, the boat
excursion is a trap masterminded by the ship's
Captain--Rydal! Peter is hurt badly when a mast is dropped on
his head off the coast of Halifax, and Dolores is taken to a nearby
port where Rydal's crony, "Sealskin"
Blake, runs a bar. On arriving they hold a great party on the ship and
trick an Eskimo woman into eating a bar of soap(!).
That's where Wapi the Wonderdog fits in. A vicious canine
left at the bar by a "Chinaman," Wapi is
unmercifully whipped by Blake. When Dolores stops him one day, a title
card informs us that with this simple action, Wapi learns the true
meaning of love! She appeals to Blake to help her take Peter to a
doctor, and he offers her the use of two dogsleds. Later, Dolores
overhears Blake explaining his double-cross to Rydal--it's
all a trick designed to do away with Peter and bring Dolores back to
Rydal's arms. As she is about to leave on the sleds, Dolores
pulls a gun on Blake and shoots him in the shoulder, warning him that
she knows of his evil plan. Dolores and Peter speed away, and Rydal
borrows a sled and takes after them. Oh, and here comes Wapi, bringing
up the rear. After an extremely lengthy and tedious chase, one of
Dolores' dogs collapses. She is about to give up when she sees Wapi
running towards her. With no options left, she realizes that Wapi may
be her last chance to get back... to God's country.
Back to God's Country is based on a story
called Wapi, The Walrus. I don't know how
things got switched around, but it's funny to imagine the dog
in this movie being replaced by a bloodthirsty walrus tamed by the
gentle love of a woman.
Besides the nudity, Back to God's Country has
similarities to another type of exploitation film-- the "educational"
travelogue picture designed to give
an audience a peak at another culture. Besides Wapi the dog and Cubby
the bear, there are many other lingering shots of animals in this film,
including goats and raccoons. This was a frequent technique employed by
the North Woods Dramas, and it's kind of similar to those
shorts on woodchucks the NFB made in the 70s.
Back to God's Country is a fairly typical
silent-era melodrama, with lots of murders and precarious situations.
Even if you don't like silent films, this one is fairly quick
paced, with the exception of the badly filmed and ill-conceived dogsled
chase (it's all white!). Because this is the earliest Canadian film you
will probably ever have the chance to see, and since it features quite
a bit of Canadian content, I recommend catching Back to
God's Country on Bravo, which frequently screens
the film with a live piano accompaniment. It's a turning
point in realizing that Canadian film has an interesting yet also
sordid history.

